environment: climate refugees IPSO media irresponsibility oceanic acidification oceans
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Year 2, Month 7, Day 12: Where Is The Sub-Mariner When You Really Need Him?
The ocean is changing, much faster than anyone expected. The SkyValley Chronicle (WA) brings the news:
(NATIONAL) — What does a large gray whale found in the water off an the Israeli town last year have to do with microscopic plankton found recently in the North Atlantic where it had not existed for at least 800,000 years?
Everything, say scientists who now think the whale and the plankton are linked harbingers of a massive migration of species through the Northwest Passage, and a clear and troubling signal of how global warming is affecting animals and plants in the oceans as well as on land.
A new report in MSNBC quotes a scientist in Great Britain as saying the implications of this migration are “enormous,” because a threshold has been crossed — and that alone is an indication of the speed of change that is taking place across the planet because of climate change.
I had no idea it was going to happen this fast.
Sent June 26:
Seen in isolation, each one of these reports seems almost inconsequential. One whale more or less; a few billion plankton where they have no business being — it’s hardly enough to attract our attention, distracted as we are by the latest celebrities du jour. Perhaps that’s a good thing for our short-term mental health; watching the catastrophic breakdown of planetary ecosystems is going to be very stressful. And the most important thing our media can do is to keep us free from any but the most transitory stresses, right?
Ecologies hundreds of thousands of years old are destroyed in a geological eye-blink by the encroachments of our civilization and its waste. Those anomalous whales and plankton are climate refugees, desperately seeking survival in an ocean whose condition is daily more parlous. And they are harbingers of humanity’s future, unless we find the will and the wit to change our ways.
Warren Senders
India Indian music music vocalists: 78 rpm discs Indian folk music kutchi
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78 rpm Records of Indian Music: Kutchi Songs by Cassum Ranji
Many songs in Indian regional languages were recorded and released on 78 during the first half of the 20th century. Here’s a disc on the Zonophone label of a singer named Cassum Ranji, performing two songs in the Kutchi language. This means that even if I could figure out a single word from the recording, I wouldn’t have a clue. Appropriately enough, the labels, especially that of the B side, are almost unreadable.
“Dartro”:
Comic Song:
India Indian music music vocalists: 78 rpm discs bhajan falsetto genius
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78 rpm Records of Indian Music: Pyare Saheb — India’s Countertenor
Pyare Saheb was one of the most esteemed voices of turn-of-the-century Hindustani tradition. Singing always in a high falsetto, he recorded literally hundreds of 78 rpm discs and enjoyed high esteem amongst rasikas, especially for his sensitive handling of thumris. His music, alas, is now almost completely forgotten. Here are two samples of his singing — a popular devotional song (with some fabulous extemporized ornamental passages) and a beautiful rendition of the rarely heard raga Sorath.
Bhajan: He Govind He Gopal
Raga Sorath: Dekhori na mane Shyam
Year 2, Month 7, Day 11: Put A Cork In It.
The Woodland, California Daily Democrat for June 25 notes that wine-makers in California’s Napa Valley are now forced to take climate change into effect in their planning for future years:
A Napa Valley winemaker last week traversed a steep hillside to reach a 12-foot white weather station that towers above rows of cabernet sauvignon vines absorbing the midmorning sun.
Curiosity drove him to install the relatively inexpensive device in 1995, said Christopher Howell, general manager and winemaker at Cain Vineyard and Winery in the valley’s Spring Mountain region in St. Helena.
But in the years since, its wirelessly relayed data — along with those of 100 like it now operating in the valley — has become crucial as Napa Valley vintners uneasily brace for a changing climate that they’re sure will come.
The region’s wine growers had long heard of melting glaciers and Arctic ice sheets breaking apart in rising global temperatures. During the 20th century, global temperature increased by about 1.33 degrees Fahrenheit, and a U.N. climate panel estimates that, depending upon carbon dioxide emissions, temperatures will rise an additional 2 to 11.5 F by 2100.
“But we shockingly hadn’t connected the dots and said, ‘Oh my, our world is going to change, too,'” Howell said. “We are as anxious about this as we are about the arrival of any new pest or disease.”
How long will it take?
Sent June 25:
For too long our politicians and media have ignored, belittled or mocked the painstaking research of scientific specialists on the world’s climate. By treating the greenhouse effect as a political issue, they’ve polarized the question, making it impossible to discuss the science without ideological interference. The basic facts of global warming have never been in dispute, despite what our televisions would have us believe, and they have been part of climate science for decades; Arctic ice melt as a consequence of increased atmospheric CO2 was predicted in Popular Mechanics magazine — in 1953! Now the window of opportunity is rapidly closing; denialists have squandered forty years and are still intent on making meaningful action on climate all but impossible. Their radical refusal to take responsibility for our civilization’s greenhouse emissions is now bearing fruit, and as the Napa Valley is coming to realize, it’s going to be a bitter vintage indeed.
Warren Senders
India Indian music music vocalists: islam naat Quawwali
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78 rpm Records of Indian Music: Abdul Raheman Kanchwala & Sufi Quawal (of Patiala)
Some terrific quawwali singing from Abdul Raheman Kanchwala (who appears to have continued a performance career into the relative present, judging from the results of a little googling) and the anonymous Sufi Quawal (of Patiala). Both of these recordings were part of the collection purchased in Udaipur in 2000.
Abdul Raheman Kanchwala: Jawoonga Khwaaja dard-e-dil sunane ke
Abdul Raheman Kanchwala: Aa jaa o halima ki nigahen ke sitare
Sufi Quawal (of Patiala): Aa mota dilaka khatkaa
Sufi Quawal (of Patiala): Ab to mera bimahi bhi
India Indian music music vocalists: 78 rpm discs musical theater
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78 rpm Records of Indian Music: “Khaki Putla” — featuring Mianbhai and Mahomed
I can’t offer much beyond inferences about these two sides on the Zonophone label. My guess is that “Khaki Putla” was the name of a drama, and these two songs are part of the complete “soundtrack.” Mahomed, the singer on “Tap karna aaya,” has very nice technique.
Mianbhai: Aay maula arabhi
Mahomed: Tap karna aaya
environment: capitalism greed predatory capitalism sustainability
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Year 2, Month 7, Day 10: Go Directly To Jail. Do Not Pass Go. That’ll Be Two Hundred Dollars.
Matthew Kahn, a “guest blogger” at the Christian Science Monitor, embodies much that is deplorable in our culture in these paragraphs in a June 24 article titled “Is There A ‘We’ In Climate Change? Or just an ‘I’? “:
How will individuals, as moms and dads, as consumers, choose to live our lives given the world we have unintentionally created by producing so much GHG emissions? Vice President Gore embraces a “collective” solution that “we” must band together.
A more realistic vision is that people will differ with respect to their ability and willingness to “perceive important and complex realities”. Those who do have these skills will be more likely to thrive in the tough days ahead and they are likely to make $ as entrepreneurs as they anticipate the others’ future suffering.
Well, by Bald-headed Christ, that sounds pretty un-Christian to me. Unless you’re talking about the modern Corporate Jeebus, in which case it’s entirely consistent with what I’ve observed.
Sent June 24:
Matthew Kahn’s response to Al Gore is built around an erroneous framing. Rejecting the former VP’s suggestion that the struggle against global warming requires collective action, Mr. Kahn offers the reassuring thought that people with better survival skills and adaptive capability are “more likely to thrive in the tough days ahead,” and furthermore, can make substantial profits from the suffering of others! Apparently the preservation of thousands of years’ worth of culture is an inadequate motivator; to persuade people to take climate change seriously, they need to know there’s money to be made and suckers to be fleeced!
Effective responses to climate change must be both individual and collective, and greed shouldn’t be part of the recipe. Remember the filling station owner who tripled his prices after 9/11? There’s an example of individual entrepreneurship for you; such attempts to exploit others’ misfortune exemplify the worst aspects of our shared humanity.
Warren Senders
India Indian music music vocalists: genius
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Jawab Nahin.
Raga Kafi: Piya to manata nahin. This looks and sounds like a mid-70s recording.
India Indian music music vocalists: 78 rpm discs musical theater Parsi
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78 rpm Records of Indian Music: Sorabji Katrak of the New Alfred Company
These songs are part of the early 20th century culture of musical theater in Bombay. The New Alfred Theatre Company was founded in the late 19th century by Kawasji Palanji Khatau to present plays in Gujarati, Marathi and Hindi.
Kavasji belonged to a poor family and lived in the Sankary lane near ‘Dukkar Bazzar’ (pig market) around ‘Dhobi Talao’ area [a place very close to Metro cinema]. Amrut Keshav Nayak was the director of the plays staged. He staged several plays including Murad, Allauddin, Gorakh Dhanda, Mahabharat, Asir-e-hirs, Abhimanu, Chandraval, Harishchandra etc. Alfred company had many owners in 60 years: Nanabhai Rustomji Rana, Mohammad Ibrahim, Manekji Master. Later on Mr. Khatau once again owned it and renamed it as ‘New Alfred Theater Company’. The company was operational until about 1932 with last ownership of Jahangir, son of Mr. Khatau. Along with the Alfred Company, some amateur and professional companies also staged Urdu and Parsi plays and toured to Calcutta and Rangoon in Burma.
Around 1905, many record companies approached these companies and cut discs of songs and dialogues. Beka records, Sun Disc, Gramophone Company, Ramagraph, James Opera cut over 300 songs of renowned artists: Master Mohan, Master Bhagoo, Dayashankar Vasanji, Sorabji Katrak, Ibrahim, Bhurekhan, Meer Himmat Kalu alias Master Himmat, Murad Ali, Phiroz Shah Misrty and many others.
Sorabji Katrak was one of the popular male vocalists from the Alfred Company.
Gujrathi theater was full of actors from Saurashtra, North Gujrath and Mumbai. {snip} Among Parsi’s were: Sorabji Katrak, Sorabji Kerawala, Sorabji Dhondi and Ferdoon Irani.
I am assuming these lyrics are Gujarati — perhaps someone can figure out more?